Monday, October 31, 2011
Not Your Children's Vampire
excerpt from Dracula by Bram Stoker
Hitherto I had noticed the backs of his hands as they lay on his knees in the firelight, and they had seemed rather white and fine. But seeing them now close to me, I could not but notice that they were rather coarse, broad, with squat fingers. Strange to say, there were hairs in the centre of the palm. The nails were long and fine, and cut to a sharp point. As the Count leaned over me and his hands touched me, I could not repress a shudder. It may have been that his breath was rank, but a horrible feeling of nausea came over me, which, do what I would, I could not conceal.
The Count, evidently noticing it, drew back. And with a grim sort of smile, which showed more than he had yet done his protruberant teeth, sat himself down again on his own side of the fireplace. We were both silent for a while, and as I looked towards the window I saw the first dim streak of the coming dawn. There seemed a strange stillness over everything. But as I listened, I heard as if from down below in the valley the howling of many wolves. The Count's eyes gleamed, and he said.
"Listen to them, the children of the night. What music they make!" Seeing, I suppose, some expression in my face strange to him, he added,"Ah, sir, you dwellers in the city cannot enter into the feelings of the hunter."
Labels:
spookyspooky Halloween
Saturday, October 29, 2011
Saturday in CinCity. The Ghost Story Edition.
Giselle...
"...cause sometimes it lasts in love, but sometimes it hurts instead." Poor Giselle, if only she'd had an IPod to listen to the wisdom of Adele or read some poetry.
Sometimes, I Am Startled Out of Myself
by Barbara Crooker
like this morning, when the wild geese came squawking,
flapping their rusty hinges, and something about their trek
across the sky made me think about my life, the places
of brokenness, the places of sorrow, the places where grief
has strung me out to dry. And then the geese come calling,
the leader falling back when tired, another taking her place.
Hope is borne on wings. Look at the trees. They turn to gold
for a brief while, then lose it all each November.
Through the cold months, they stand, take the worst
weather has to offer. And still, they put out shy green leaves
come April, come May. The geese glide over the cornfields,
land on the pond with its sedges and reeds.
You do not have to be wise. Even a goose knows how to find
shelter, where the corn still lies in the stubble and dried stalks.
All we do is pass through here, the best way we can.
They stitch up the sky, and it is whole again.
Thursday, October 27, 2011
A Cat's Life
by David R. Slavitt
Her repertoire is limited but fulfilling,
with two preoccupations, or three, perhaps,
if you include the taking of many naps:
otherwise she is snuggling or killing.
Her repertoire is limited but fulfilling,
with two preoccupations, or three, perhaps,
if you include the taking of many naps:
otherwise she is snuggling or killing.
Labels:
poetry
Wednesday, October 26, 2011
On the Wards
by Rafael Campo
I pass you in a hurry, on my way
to where another woman who I know
is dying of a stroke that in the end
is nothing worse than what is killing you.
Same gurney, same bruised arms and mute IV—
you wait for what might be a final test.
It's something in the way you look at me
that makes me realize you have your own
mistakes you think you're paying for, your own
ungrateful kids, your own unspeakable
pain. Yet you look at me, still desperate
for just another human being to
look kindly back at you, to recognize
in you the end is not far off, is not
so unimaginable. Years ago
I watched a patient of mine say goodbye
to life. She was alone like you, alone
like me, she was in agony. She looked
at me, and I, afraid to be the last
thing here on Earth she saw, twisted my head
to look away. I almost do the same
to you, afraid you might imagine me
as later you lay dying, but I don't.
Instead, I look at you remorselessly,
the way I hope that someday I am seen,
the way each one deserves to be imagined,
and wonder at your astonishing beauty.
I pass you in a hurry, on my way
to where another woman who I know
is dying of a stroke that in the end
is nothing worse than what is killing you.
Same gurney, same bruised arms and mute IV—
you wait for what might be a final test.
It's something in the way you look at me
that makes me realize you have your own
mistakes you think you're paying for, your own
ungrateful kids, your own unspeakable
pain. Yet you look at me, still desperate
for just another human being to
look kindly back at you, to recognize
in you the end is not far off, is not
so unimaginable. Years ago
I watched a patient of mine say goodbye
to life. She was alone like you, alone
like me, she was in agony. She looked
at me, and I, afraid to be the last
thing here on Earth she saw, twisted my head
to look away. I almost do the same
to you, afraid you might imagine me
as later you lay dying, but I don't.
Instead, I look at you remorselessly,
the way I hope that someday I am seen,
the way each one deserves to be imagined,
and wonder at your astonishing beauty.
Labels:
12 hours. NSICU.,
poetry
Thursday, October 20, 2011
Tuesday, October 18, 2011
fare thee well, fireflies...
A Lover
by Amy Lowell
If I could catch the green lantern of the firefly
I could see to write you a letter.
by Amy Lowell
If I could catch the green lantern of the firefly
I could see to write you a letter.
Saturday, October 15, 2011
Saturday in CinCity. The Full Moon and the Neuro Unit Edition.
Letter from a Mental Hospital
by Kim Lozano
From the heart of an old box of letters
I lift a small water-stained envelope.
Inside, a note card as thin and brittle as a frozen leaf
bears a message written fifty years ago
by a woman who shares my name.
She delivers no greeting, no sorry to have been away so long.
She leaves no record of visitors, rationed cigarettes,
group art, or the barren iceberg of treatment.
I imagine her listening to the ping of the radiator
on a snowy morning, seated in her nightgown and socks
by an open window. A bell rings in the hallway
but she doesn't move toward her robe or her slippers or her brush.
I see myself sitting beside her, reaching
toward her dull pencil to place my fingers over hers,
hand on hand, gliding over the words, moving
like two skaters on a lake tracing the solitary line—
Please come get me.
by Kim Lozano
From the heart of an old box of letters
I lift a small water-stained envelope.
Inside, a note card as thin and brittle as a frozen leaf
bears a message written fifty years ago
by a woman who shares my name.
She delivers no greeting, no sorry to have been away so long.
She leaves no record of visitors, rationed cigarettes,
group art, or the barren iceberg of treatment.
I imagine her listening to the ping of the radiator
on a snowy morning, seated in her nightgown and socks
by an open window. A bell rings in the hallway
but she doesn't move toward her robe or her slippers or her brush.
I see myself sitting beside her, reaching
toward her dull pencil to place my fingers over hers,
hand on hand, gliding over the words, moving
like two skaters on a lake tracing the solitary line—
Please come get me.
Labels:
24 HRS NSICU,
poetry,
Saturdays in CinCity
Wednesday, October 12, 2011
Wednesday in CinCity
It was a grrrl's weekend at the lake. Pizza, beer, thrift store shopping, farmers' markets and girltalk. A nice break for all of us and a new way to reconfigure ourselves with 2 girls growing up, up, and away. CollegeGrrrl shadowed at BigFatTeaching Hospital, first in the Burns unit, then with me. That was fun to have her there and explain some of the details about nursing that can't be learned till you're in the thick of it and equipment that makes much more sense in person than in a lecture.
HoneyHaired--our new collegegrrrl--made up for lost sleep. You'd think there was a magical sleeping potion in the backseat of the car.
But, they're off and running again. Hubby is off working at winterizing the place before the season passes. I'm here on a day off with the remaining animal boys who could also sleep all day and night and then some. Must pull myself away quickly. I'm convinced they release some pherome that entices all humans around them to nap the day away.
At the Lake
by Mary Oliver
A fish leaps
like a black pin --
then -- when the starlight
strikes its side --
like a silver pin.
In an instant
the fish's spine
alters the fierce line of rising
and it curls a little --
the head, like scalloped tin,
plunges back,
and it's gone.
This is, I think,
what holiness is:
the natural world,
where every moment is full
of the passion to keep moving.
Inside every mind
there's a hermit's cave
full of light,
full of snow,
full of concentration.
I've knelt there,
and so have you,
hanging on
to what you love,
to what is lovely.
The lake's
shining sheets
don't make a ripple now,
and the stars
are going off to their blue sleep,
but the words are in place --
and the fish leaps, and leaps again
from the black plush of the poem,
that breathless space.
Tuesday, October 4, 2011
Living Things
by Anne Porter
Our poems
Are like the wart-hogs
In the zoo
It's hard to say
Why there should be such creatures
But once our life gets into them
As sometimes happens
Our poems
Turn into living things
And there's no arguing
With living things
They are
The way they are
Our poems
May be rough
Or delicate
Little
Or great
But always
They have inside them
A confluence of cries
And secret languages
And always
They are improvident
And free
They keep
A kind of Sabbath
They play
On sooty fire escapes
And window ledges
They wander in and out
Of jails and gardens
They sparkle
In the deep mines
They sing
In breaking waves
And rock like wooden cradles.
Our poems
Are like the wart-hogs
In the zoo
It's hard to say
Why there should be such creatures
But once our life gets into them
As sometimes happens
Our poems
Turn into living things
And there's no arguing
With living things
They are
The way they are
Our poems
May be rough
Or delicate
Little
Or great
But always
They have inside them
A confluence of cries
And secret languages
And always
They are improvident
And free
They keep
A kind of Sabbath
They play
On sooty fire escapes
And window ledges
They wander in and out
Of jails and gardens
They sparkle
In the deep mines
They sing
In breaking waves
And rock like wooden cradles.
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